Movie Review: A Nice Indian Boy (2024)

3.5 Stars (out of 4)

Rent or Buy A Nice Indian Boy at Amazon

A Nice Indian Boy is an adorable romantic comedy about how the way we communicate with our family influences how we interact with everyone else, for good or ill. This adaptation of Madhuri Shekar’s play of the same name is a ton of fun.

Karan Soni stars as Naveen Gavaskar, son of mom Megha (Zarna Garg) and dad Archit (Harish Patel). In the six years since Naveen’s sister Arundhati’s (Sunita Mani) wedding, everyone within the orbit of this Indian-American family reminds Naveen that he’s expected to get married soon, too.

The thing is, Naveen is gay. His mom is supportive, if a little unsure of how to relate. She religiously watches dating shows on a queer cable channel, looking for ways to connect with her son. Dad doesn’t want to talk about his son’s sexuality, so Naveen avoids the subject, which often means avoiding his parents altogether.

While praying to Ganesh at the temple, Naveen notices a handsome white guy come in and do the same. When they run into each other again, it seems like divine intervention. The guy is Jay Kurundkar (Jonathan Groff), a former foster child who was adopted by an Indian couple, who are now deceased. Jay asks Naveen on a date to see a screening of his late dad’s favorite movie: Dilwale Dulhania Le Jayenge.

Jay is as emotionally open and sincere as Naveen is closed off, but their attraction is real. They fall in love, and eventually Naveen has to do the thing he’s dreaded: introduce Jay to his parents. Bringing home a white boyfriend requires understanding and finesse. Naveen bungles this spectacularly.

Lesser movies manufacture conflict from misunderstandings that could’ve been prevented with a simple conversation. Here, the the inability of the Gavaskars to talk with one another about their feelings is the point of the film. The dysfunction extends beyond Jay and his parents and includes Arundhati as well, who’s wilting under the pressure of being the perfect Desi daughter. The fact that none of them feel like they can freely discuss what they want with one another makes all of them miserable and adds a layer of artifice to their relationships.

The centrality of the relationships between the Gavaskars is more than just a source of character development. It’s world building. Naveen’s learned defensiveness informs the life he’s built for himself and the relationships he has with everyone in it. If Naveen can’t be honest with his parents, he can’t be honest with Jay, either.

All of this dysfunction is depicted in a really relatable way. Naveen’s emotional distance is frustrating but understandable, because we know where he comes from. Soni does an excellent job making sure the audience always roots for Naveen to become his best self. Groff’s Jay is sweet but secure enough that he’d walk away if he finds the romance more trouble than it’s worth.

The Gavaskar family is delightful. Garg is an hilarious nosy mom who plays well off of Patel’s taciturn dad. Mani deftly navigates Arundhati through a low moment, made easier to stomach because we understand the family she comes from.

Shekar’s story is truly charming, and director Roshan Sethi and screenwriter Eric Randall do a lovely job adapting it for the big screen. Like Dilwale Dulhania Le Jayenge, A Nice Indian Boy reminds us why we love stories about love.

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